List

Ten heists. Ten suspects. A murder mystery only Ernest Cunningham can solve in this delightfully clever and twisty new novel in Benjamin Stevenson's bestselling series--perfect for fans of Richard Osman and Anthony Horowitz.

I've spent the last few years solving murders. But a bank heist is a new one, even for me. I've never been a hostage before.

The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, everyone is a suspect.

THE BANK ROBBER

THE MANAGER

THE SECURITY GUARD

THE KID

THE FILM PRODUCER

THE PRIEST

THE RECEPTIONIST

THE PATIENT

THE CAREGIVER

ME

Turns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.

Who is stealing what? Are they willing to kill for it? And can I solve the crime before the police kick down the door and rescue us?

All his life, exile has been the shadow stitched to the sole of Sufien’s shoe.

Born in Palestine on the precipice of 1948’s Nakba, Sufien is forced to leave the only home he’s ever known, the one on the hill with a beautiful blue door. This is the precise moment when time stops making sense. He spends the rest of his life propelled forward, always on the way—although in search of what, he is never quite sure. In the dusty, oil-rich desert of Kuwait, he meets his first love and decides he must leave his family. In a small Italian university town, he spends his youth wrapped up in the sweet promise of the West and the forgetful assurance of wine. When life takes him to a gritty New York, he discovers his true vocation and falls for a Jewish woman born into a wholly different world. Finally, he finds himself recalled to the wild, vast open skies of the desert, in Arizona.

Sufien’s life spans friendships lost and maintained, a stint selling leathers at a tanner’s stall, the ineffable company of cats, and the freedom of the open road, the glowing pride of fatherhood, Sufi myths, prophetic dreams, and visions of the afterlife—and always, always, no matter how far he chases joy, the sweet, treacherous song of a balcony urging him to fly, to fall, to fall. The lyrical pages of Paradiso 17 weave in and out of time and space, beginning at the end and ending at the beginning. They are haunting, haunted with grief, struck through, as Dante once wrote, with “the arrow that the bow of exile / shoots first,” and yet they throb with light—not just the light that Sufien sees as he approaches his own end, but the brilliant light of a life lived.

Like all of our dead, Sufien still speaks, the book begins. Listen, this is his story.

One offers a helping hand. The other is your worst nightmare...

Social media influencer, Elly Parker, had the perfect life, that is until she discovered her husband had been having an affair with her best friend.

But as hurt, betrayed, unmoored as Elly is, she has made it her mission to help others in need. Even strangers.

When Elly meets a man on the steps to the subway platform, crutches in one hand and a yellow suitcase by his feet, she can’t help but feel sorry for him.

Just as he planned.

This small act of kindness sets off a change of events more terrifying than anything she ever could imagine.

To survive, Elly will need to convince the world what happened to her was real. She needs a lawyer who can bend the rules to find the truth. Eddie Flynn and his team must find the stranger with the yellow suitcase. But little do they know this cunning killer is a master manipulator and is always one step ahead.

Upward Bound is not a place anyone dreams of spending their days. The dreary adult daycare center for Los Angeles’s disabled community is, for many of its clients and staff, a place of last resort. This includes Carlos, a young aide who lost his mother as a boy and now works there alongside his beloved sister, Mariana; Jorge, the gentle nonspeaking giant whom Carlos seeks to befriend (and prevent from escaping); Tom, a beautiful young man with cerebral palsy who pines for Ann, the summer lifeguard at the center’s pool who feels out of her depth. Then there’s Dave, Upward Bound’s director, who came to L.A. to pursue an acting career but now channels his passion into staging an overly ambitious holiday show starring the center’s irrepressible clients. Framing these intertwined narratives—and connecting them in surprising, shattering ways—is the riveting and sometimes ironic testimony of Walter, a recent community college graduate who, after a family tragedy, must return to the company of his disabled peers.

In Upward Bound, Woody Brown has created an indelible, authentic, and profoundly moving group portrait of autism and other disabilities, all illuminated by his empathy, sly sense of humor, and enormous gifts as a novelist. With remarkable sophistication, insight, and creativity, Brown depicts a community too-often invisible in literature and society. Filled with characters you won’t soon forget, Upward Bound will inspire and touch you, teaching you as much about yourself as the tender, miraculous world behind the center’s doors.

July, 1921: England is suffering a heatwave and the coast of Northumberland, just across the border from Scotland, is filled with holiday-makers bird watching and enjoying the beaches. Pilgrims also come to visit the home of Saints Cuthbert and Aiden—the founders of Christianity in England—located on the “Holy Island” of Lindisfarne, accessible by a causeway at low tide. When the murdered body of a local man washes ashore just south of Lindisfarne, the government and the Church of England are concerned about protecting both the reputation of the Church and the sacred sites that are a destination for hundreds of pilgrims at this time of year.

With his ability to move in the highest social and political circles, Rutledge is sent by Scotland Yard to solve this crime and dispel any association with the Church. Upon arrival, Rutledge finds himself pulled between two coastal fishing villages, scarred by home front battles and coastal bombardment from the German Navy, where animosity towards Germany still runs high even years after the war. This, combined with a constabulary in the process of being consolidated to form a countywide police force, with local militias still wielding a great deal of power, means Rutledge must tread with care. Facing a puzzling case and a cast of locals that don’t take kindly to outsiders, the newly promoted Rutledge meets one of the most challenging cases of his career. To solve it, he’ll also have to confront his own demons left over from his time in the war.

Zaira doesn’t want a hero. She needs a weapon.

To save her sister from a soul-devouring curse, she has to cross The Shallows—a nightmare landscape of ruined magic, shifting paths, and vicious creatures that eat people alive.

Her guide? Thane Valkor: sorcerer, assassin, walking red flag. His name clears rooms. His magic kills quietly. And whatever he’s really after, it’s not salvation.

He promises to help. He might even mean it.

But Zaira knows better than to trust a liar with a blade and ice in his veins.

She just doesn’t have a choice.

Celebrated as “his generation’s most gifted writer of love’s complicated, contradictory power” (Los Angeles Times), Colm Tóibín is a master of short fiction as well as the novel, able to summon an extraordinary intensity of emotion in a brief tale. The eleven stories transport readers across continents and eras.

In “The Journey to Galway,” a mother who has learned of the death of her son, a fighter pilot in World War I, travels to Galway to inform his wife and their three now fatherless children. “Sleep,” originally published in The New Yorker, explores the rift between two lovers as one of them cannot reckon with his grief and fear after the death of his brother. Death, again, is a central character in the title story, “The News from Dublin,” as Maurice Webster travels to Dublin to try to save his younger brother who is dying of tuberculosis. Maurice must petition the health minister for access to a new experimental drug, and this is the only hope.

Tóibín’s stories are rich with the complexities of family dynamics, the haunting pull of the past, and the quiet revelations that define our lives. His characters, whether navigating the aftermath of war, or forbidden love, or the desires of a girl in Catalan, or the quiet struggles mundane life, are rendered with illuminating, unforgettable empathy and insight.

The News from Dublin is an exquisite introduction to Tóibín’s short fiction for new readers who may have discovered Tóibín with the publication of Long Island, and a glorious new collection for longtime fans of this “achingly beautiful writer…with infinite compassion” (The Miami Herald).

It was as though I was chosen--marked out by the python's kiss for wisdom or maybe sorrow. Or perhaps, I think now, a sense of the ridiculous in extremes of experience. Also, I hoped for a long life.

Written over the past two decades, Louise Erdrich's magnificent story collection features a range of characters--a tribal newsletter editor whose son tells her a story that nothing in her experience can encompass, immigrant farmers whose tenuous hold on the earth, and sanity, is challenged, and ordinary people, bird lovers, artists, grade-school teachers, and romantics. A girl decides to spend her life with a stone. A man is confronted with a folk-singing thief. A woman enters a corporately owned afterlife to seek revenge on her father.

Accompanied by specially commissioned artwork by Aza Erdrich Abe--an intimate and revelatory creative collaboration between mother and daughter--these stories offer an opportunity to celebrate the wisdom and brilliant, wide-ranging imagination of one of America's most important writers.

"The most famous stories of the Trojan War and its aftermath are Homer's Iliad and Odyssey. But these were not the only tales of the war sung to ancient audiences by bards-there were others, now vanished but for echoes and fragments, collected in what has come to be known as the Epic Cycle. In SON OF NOBODY, one such tale is the Psoad: an epic that follows the son of a goatherd, Psoas of Midea, who leaves his wife and family to fight on the beaches of Troy. Psoas meets his doom, and the epic poem of his life is lost to time-until another man on a foreign shore, a Canadian academic studying at Oxford, discovers its relics thirty centuries later. A truly daring feat of imagination, SON OF NOBODY is a novel composed in two voices: the first, a series of fragments from antiquity that tell the story of Troy from a lost, alt-Homeric tradition; the second, the voice of a modern-day scholar, Harlow Donne, who assembles and comments on these fragments while navigating a conflict of his own. Obsessed with his discovery, Donne still can't seem to let go of his family's past-he weaves together the tale of uncovering ancient papyri, faded codices, and broken cuneiform tablets with memories of his daughter as a child and his wife before their separation. Donne translates and writes in the heartfelt modes of Aphrodite, goddess of love, and Ares, god of war, as the paralell stories offer a poignant glimpse into both the follies of failed relationships and of battle. SON OF NOBODY upends the regal perspective of traditional epics, and by grappling with questions of ambition, family, and responsibility in both the ancient and the modern worlds, it shows "that the past is never done with, that always there are parallels and returns and repetitions, always the song continues.""-- Provided by publisher.

In the 1920s, archeologist Howard Carter and Lord Carnarvon of Highclere Castle made headlines around the world with the discovery of the treasure-filled tomb of the boy Pharaoh Tutankhamun. But behind it all stood Lady Evelyn Herbert—daughter of Lord Carnarvon—whose daring spirit and relentless curiosity made the momentous find possible.

Nearly 3,000 years earlier, another woman defied the expectations of her time: Hatshepsut, Egypt’s lost pharaoh. Her reign was bold, visionary—and nearly erased from history. 

When Evelyn becomes obsessed with finding Hatshepsut’s secret tomb, she risks everything to uncover the truth about her reign and keep valued artifacts in Egypt, their rightful home. But as danger closes in and political tensions rise, she must make an impossible choice: protect her father’s legacy—or forge her own.

Propelled by high adventure and deadly intrigue, Daughter of Egypt is the story of two ambitious women who lived centuries apart. Both were forced to hide who they were during their lifetimes, yet ultimately changed history forever.

For Larissa, it came when choosing who to ride home with after a concert. That night, she had no idea she'd met the perfect man. She and Chris are great friends, co-parenting a slightly unhinged rescue Yorkie, sharing their favorite books, and judging bread (pumpernickel for the win!). For the first time amid all her side hustles to scrape by, things finally feel easy.

But she didn't choose Chris to drive her home all those months ago--she went with his best friend, and he became her boyfriend. All Chris wants is for Larissa to be happy. Standing by on the sidelines is slowly killing him, but making a move would destroy someone else. How can something that feels so right be absolutely impossible?

"From the New York Times bestselling author of The Nest and Good Company comes a wry and tender portrait of two families forever changed by one love-struck decision that will reverberate for decades. It's 1977 and an air of restlessness has settled on the residents of Cambridge Road in Rochester, New York, a place long fueled by the booming fortunes of Kodak and Xerox and, for some, the mores of the Catholic church. When Nina Larkin is given a copy of The Joy of Sex by her newly divorced friend, she can no longer dismiss the nearly nonexistent intimacy of her marriage. Just as her oldest child, Clara, is falling in love for the first time, Nina finds herself longing for the forbidden: a midlife awakening. An intoxicating fling with a prominent neighbor brings Nina a freedom she never thought possible-but also risks the reputations of both families and unravels Clara's world, just as she stands on the threshold of adulthood. Years later, Clara, now a successful food stylist in New York City, has never been able to move past the long-ago scandal. Drawn back home by the pull of a family wedding and wrestling with her own demons, she makes a pivotal decision that turns her life upside down. Written with Cynthia D'Aprix Sweeney's signature humor and insight, Lake Effect is a wise and probing look at love and desire, mothers and daughters, loss and grief, and what we owe the people we love most"-- Provided by publisher.

The women of the Novak family were each born with a gift: they can, just once, turn back time.

Lauren has known since she was fifteen that her mother Marcella saved Lauren’s father from a deadly car accident. Dave is alive and happy, and out on the Malibu waves. But ever since, Marcella, her power spent, has lived in fear of what she won’t be able to reverse. Her own mother, Sylvia, is her polar opposite: a free-spirited iconoclast with a glamorous past she only hints at. Lauren has spent her life between these two role models—and waiting for her own catastrophe to strike.

Then one summer, Lauren’s husband takes a job in New York and she moves back to Broad Beach Road, back into her childhood home on the shores of Malibu. Lauren looks forward to surfing with her dad again and perhaps repairing an unspoken fracture in her relationship with her mother. What she doesn’t expect is for the boy next to door to return home as well: Stone, Lauren’s first love, who broke her heart nearly a decade before. 

As Lauren falls into familiar patterns, with her family and, more dangerously, Stone, she finds herself thinking about all the choices, large and small, that have brought her to this moment. And wondering, finally, if one of them should be undone.

On a cold night in the remote Irish village of Ardnakelty, a girl goes missing. Sweet, loving Rachel Holohan was about to be engaged to the son of the local big shot. Instead, she’s dead in the river.

In a close-knit small town, a death like this isn’t simple. It comes wrapped in generations-old grudges and power struggles, and it splits the townland in two. Retired Chicago detective Cal Hooper has friends here now, and he owes them loyalty, but his fiancée Lena wants nothing to do with Ardnakelty’s tangles. As the feud becomes more vicious, their settled peace starts to crack apart. And when they uncover a scheme that casts a new light on Rachel’s death and threatens the whole village, they find themselves in the firing line.

“One of the greatest crime novelists writing today” (Vox) crafts a masterwork of atmospheric suspense that brings the story of one of her most beloved characters to a spellbinding conclusion.

When we do something that can’t be undone or mended, how do we go on living? How do we find our North Star when there is no right answer? These are the questions at the center of M. L. Stedman’s unforgettable and magisterial new novel, A Far-flung Life. From the author of the beloved and bestselling The Light Between Oceans, this is a sweeping and epic story of a family, a tragedy, and the aftermath that reverberates for decades.

Remote Western Australia, 1958: here, for generations, the MacBrides have lived on a vast sheep station, Meredith Downs. It is a million acres, an ocean of arid land. On an ordinary day, on a lonely road, under the unending blue sky, patriarch Phil MacBride swerves to avoid a kangaroo. In seconds the lives of the entire MacBride family are shattered. And then, tragedy revisits when a twist of consequences claims the life of one sibling, and leads another to give up everything for the sake of an innocent child. Matt, the youngest MacBride, is plunged into a moral and emotional journey for which there is no map, no guide. The secrets at the heart of this gutting and beautiful story force him to choose between love and duty, sacrifice and happiness.

A Far-flung Life is a tale about family and belonging, fate and time. It is about people trying to do their best, and each, for private reasons, seeking shelter from the storm of life.